LENS CAPTURE

Vol. 1 No. 45


Had a great time at our Sunset Meet in Brooklyn Bridge Park as we welcomed a few new faces in the group.  The weather cooperated with a very dramatic sky.  The photo below is a 7-capture high dynamic range (HDR) image. I bracketed the captures about 15 minutes before sunset.



The sharing of ideas and various technique flowed throughout the group.  Images resulting from Doug Palmer's creative tip on zooming during long exposures are already appearing on the Flickr LensCapture Group. I also enjoyed Katy's imaginative lighting of the Manhattan Bridge.

As twilight took hold, the lights of the city began to burn brightly providing a magnificent compostion begging to be memoralized.  And we all took up the challenge. Slow shutter speeds, small apertures, low ISO and long exposure in-camera noise reduction went into the making of the image below.



I was asked numerous times during the Sunset Meet for the spot of the next photo walk.  I'll be revealing the location for October's gathering later next week.  As it stands now, it will probably be an early morning start on Sunday, October 25th.  Just putting together the final details.

Remember, if you attended the meet, please share an image or two up in the Flickr LensCapture Group.


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Vol. 1 No. 44

With our Sunset Photo Meet quickly approaching, I thought I would compile a list of tips for photographing great sunsets.

• If you plan properly, you will have about a 30-45 minute window to capture some spectacular images.  This time includes the lead up to sunset and twilight - the soft, diffused light from the sky when the sun is below the horizon, from sunset to nightfall. The light changes significantly during this period.  So you need to think about the elements you want to capture before sunset or you might miss the action.  With sunset at 6:51 pm EDT on the day of our shoot, I recommend arriving no later than 6:00 pm.  The magic of sunset normally begins a half hour prior to the sun setting.
  
  
• Always be careful looking through a viewfinder directly at the sun.  It can be dangerous if the sure is not very low to the horizon.
  
  
• Composition - the act of combining parts or elements to form a whole, or in our case a stunning sunset photograph.  If you have the option of shooting with a variety of focal lengths - do it!  Wide angle focal lengths are great for providing the expansive vista, but the setting sun will extremely small in the image.  If you want the sun to be a feature in your image, then you'll need to zoom in.
    
• Include foreground elements.  Since these will usually be lit from behind by the setting sun, they will become silhouettes.  This will add visual impact.
  
  
• Experiment with your white balance.  If you are shooting with a dSLR then this is easier to manage.  Switch between daylight, cloudy, shade and tungsten (indoor).   If you are using a point and shoot camera, you can achieve similar results by switching through the various scene modes you camera offers.  The result of applying different white balance will be dramatic.
  
  
• If your camera begins to hunt for focus while photographing the setting sun you might miss the shot, or wind up with an out of focus image.  If you are using a point and shoot camera or a dSLR, you will need to focus on something in the frame that has contrast.  Focus on where the horizon or skyline meets the sky, then press and hold the shutter release half-way down until the focus locks.  Continue holding half-way down while you re-compose the image.  Once you have the scene framed the way you want, then completely press down on the shutter release to capture the image.
  
  
• Set you camera's ISO to 100-200.  This will reduce noise in your image and result in slower shutter speeds. 
  
  
• I like setting my camera to aperture-priority (usually marked A or Av) mode especially when shooting sunrises and sunsets.  I start by dialing in an aperture between f/11 to f/16. Just like white balance, you need to experiment.  You will grow tired of hearing me say this during photo walks and meets.
  
  
• If your camera allows for bracketing, I suggest using a one stop difference.
  
  
• In order to keep the colors saturated, I like to shoot slightly under exposed, so I adjust my exposure value (EV).  This is a personal preference since I don't like to add saturation in post production.
  
  
• Do not just photograph the sunset. Turn around and look at areas behind you.  Look how the wonderful colors illuminate the many subjects that will be present.  This lighting might also offer a great portrait opportunity.
  
  
• Tripods are essential for sharp images when you slow down the shutter.  Some sunset/twilight captures can drop the shutter speed to several seconds.  If you can't bring a tripod, look for someplace stable to place the camera. A park bench, a rock or railing might do the trick.
  
  
• Change up the look.  Rotate the camera from horizontal (landscape) to vertical (portrait).  This can add a lot of interest.
  
  
• Don't forget every sunset is unique.  Enjoy it like it's the first one you have ever seen.

Vol. 1 No. 43

Last Sunday my wife and I took a drive to Red Hook Brooklyn to visit the new IKEA store that opened in the summer of 2008. The 300,000+ square foot store is was built on the site of the old dry docks located right along the waterfront. The maze of a store is just one attraction.

The waterfront area adjacent to the store's parking lot has been revitalized. Huge spotlit gantry cranes majestically hold a place on their respective piers. The waterfront provides a place to sit and stroll while enjoying the views across the Erie Basin and Red Hook Channel.

Vol. 1 No. 42


Join me for a sunset photography session at Brooklyn Bridge Park on Thursday, September 24, 2009. We will meet promptly at 6:00 PM along the shoreline steps. Sunset is at 6:51 pm and the light waits for no one. The park is located along Plymouth Street between Main Street and Washington Street in the DUMBO section of Brooklyn.

Here's where we will meet.

View Brooklyn Bridge Sunset in a larger map


Bring a tripod if you can. Sign-up here.


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Vol. 1 No. 41

After several months, the U.S. Department of Transportation responded to the American Civil Liberties Union inquiry regarding the alleged "no photography" outside DOT (Federal) buildings. In the response, the DOT apologized for their security staff routinely informing people that they cannot photograph the outside of the agency's building from nearby public places. The response goes on to state, "we are not aware of any law that imposes such a rule, and we do not believe DOT has the authority to impose such a rule."

Noteworthy is the Federal agency's inclusion of a Special Security Bulletin of the Department of Homeland Security's Federal Protective Service dated November 10, 2004. While this specific document covers properties in the National Capital Region, I would tend to believe the Federal policy towards photography of Federal properties from public places would be consistent with this document, regardless of the region. I am actively searching for policies that are geographically-specific. I'll post whatever I come across.

This bulletin, titled Photography of Federally Owned and Leased Facilities, goes on to direct security staff to conduct a field interview to confirm the individual (photographer) is not engaged in criminal activities. The bulletin directs staff to conduct all contact with the public, to include photographers, in a professional but polite manner. If the field interview does not yield any criminal/terrorist activity, the photography should be permitted to proceed unimpeded.

A pdf of this document, which I have already placed a hard copy in my camera bag, is available here.


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